historical walks through limón

In 1895, the United Fruit Co. donated the land to build a park in the city of Limon. The governor of the province Balvanero Vargas, in his desire to bring together a beautiful project, made every possible effort and was in charge of two different boats captains that arrived at the port and brought with them tropical trees from Cuba and Jamaica plus laurels from India, palm trees and croton plants. For the design of the park, he hired the Frenchman Andres Bonife, who came from Martinique Island. With an area of 55,000 sq. feet, he chose a classic design inspired by the drawings of Versalles. The result was a tropical green area where lush vegetation grew in an ideal micro-climate.

In 1905, it was inaugurated as Vargas Park, in homage to Balvanero Vargas. Toward the end of the 19th century, a Victorian style metal kiosk was installed with an octagonal floor, similar to the kiosk in Morazan Park, but in 1911, it was replaced by another one made of re-enforced concrete and in neoclassical style. The structure still has the octagonal floor as well as columns in the corner and four staircases. It is decorated with plant and animal sculptures in Art Noveau style. The designer was Cesar Rivaflecha. It was declared a historical and architectural heritage site on June 26, 1995.

Located between 1st and 2nd Avenue, 1st Street.

He was born in San Jose and owned a coffee plantation in Pavas. He served in the Municipality of San Jose and was a legal notary and Secretariat under President Jesus Jimenez Zamora. Later, he moved to Limon, dedicating himself to public endeavors which established him as a benefactor for the province. In 1883, he was named Governor of the Province and Port Captain. Thanks to his foresight, he managed and designed projects including the construction of the breakwater to create more space in the city, the central park (which carries his name), the pipe system in the city, and organizing the main roads. Balvanero died in Limon in 1905. On October 12, 1973, a bust with his image was unveiled in Vargas Park, measuring some 3 feet and created in granite by the national sculptor Nestor Zeledon Guzman.

Located on 1st and 2nd Avenue, 0 and 1st Street.

In 1502, Christopher Columbus arrived on his fourth and last voyage to the Caribbean coast of Costa Rica. His ships anchored on the coasts of Costa Rica around the area which today is known as Port of Limon. It is said that Christopher Columbus greatly admired the beauty of the small island located in front of Cariay (Cariari). It was an island named after the indigenous population, Quiribri and that he christened it as La Huerta. It later became known as Uvita. The island is located a few miles from the Port of Limon and can be reached from the coast in just 10 minutes.

It has 15 acres of land and is half a mile long from north to south and about 1,000 feet wide. It is an islet with lush scenery, typical of tropical rain forest. Some of the plants to be observed are almond, Peruvian Poro, Chamaedorea, Tobacco, Guarumos, Spanish cedar, and an array of ferns and palm trees. A dock was constructed on the islet, as well as a light house and a manor. It was declared a historical and architectural heritage site on September 26, 1985. In 1986, the National Nomenclature Commission reinstituted its original name ¨Quiribri.¨

Located in front of the port.

The building was erected in the 1930s based on the designs of Cesar Rivaflecha in order to be occupied by the Port Authority, the province´s government, as well as the governor himself. It has an Afro-Caribbean or Antilles influence, very much like the buildings constructed for the United Fruit Co. It is a corner building and has a layout in the shape of a ¨L.¨ It is made up of two floors with an interior patio, a handrail balcony on the second floor, while on the first floor there is a wide open corridor. The building uses Tea wood beams in the walls, the floors, and the ceiling. Cross-woven mats are used for ventilation which is very suitable for the climate of the area and large double plied windows in guillotine style. It served as the Port Authority and Government offices until 1986. It was declared a historical and architectural heritage site on November 26, 1995.

Located between 2nd and 3rd Avenue, 1st Street.

The current building dates back to 1942 and it is said that the floor design came from the engineer Rogelio Pardo, while the concept of the facade is that of the architect Jose Maria Barrantes Monge, one of the most prestigious architects of the first half of the 20th century in Costa Rica. The design of the facade offers very stylistic elements similar to that used by Barrantes in other buildings in the Central Valley. The construction is made of brick in neoclassical style, and takes the shape of a ¨U¨ which uses steel trusses from the first market in 1893. The building has galleries and archways as well as tipped-arch windows on the first floor. Over the last few years, gardens have been installed with a statue of the indigenous hero Pablo Presbere. It was declared a historical and architectural heritage site on July 26, 2002.

Located on 2nd Avenue, between 0 and 1st Street.

It is believed that Presbere was born in the 1670s and became chief of the Suinse or Suinsi. Pablo Presbere is known as the most feared warrior of Talamanca due to his bravery and valor in rebelling against the Spanish invaders in 1709. The indigenous uprising stemmed from the injustices and subjugation that the Spaniards caused in the Talamanca region. He brought together the indigenous people who lived in the area from Chirripo to the island of Tojar or Colon in the Admiral Bay. On September 28, 1709, leading a group of Cabecares and Terrabas, he attacked the Urinama convent in order to extend the insurrection all the way to Cartago.

In February, 1710, the governor Lorenzo de Granda y Baibin organized an army to quash and capture the insurgents. On July 4, 1710, Presbere was shot in the city of Cartago. An eight-foot-tall bronze sculpture of Presbere was erected in the gardens of Limon.

Located on 2nd Avenue, 0 and 1st Street.

The land on which the Pension Costa Rica was built belongs to the architect Quinto Vaglio Bianchi, a businessman of Italian descent. In 1905, Vaglio created the design for the three floor lodge and Cesar Rivaflecha was in charge of the construction. The facade has a symmetrical design and an overall correspondence between the balconies and the doors. Stylistically, it is based on French neoclassical design in order to project a unique image within the landscape of the city. It was built with a steel frame and brick for the walls.

It is plated with grey granite on the first two floors and pink on the third floor. Its forged steel rail balconies stand out with false columns in the door frames, as well as stone in the pointed arches, which crowns the access to each balcony. There is a central patio and internal corridors that face each other on all three floors. In 1919, the hotel was handed over to Guillermo Niehaus Ehlers, and in 1973, it was transferred to the Coblenza Ltd. Company, owned by Hans Niehaus Ahrenas. Then, in 1982, it was acquired by Maria Lourdes Torres Zapata. It was declared a historical and architectural heritage site on September 5, 1997.

Located on 2nd Avenue, between 1st and 2nd Street.

The building was constructed in 1911 and its first owner was Miiridge, of Jewish descent. Stylistically, the building offers a mix of neocolonial and neoclassical styles adapted to the environment, as well as some Art Noveau elements. The two floor design was created by Cesar Rivaflecha who implemented its symmetrical design and ¨U¨ shaped floor plan. It has a central patio which is accessible by interior corridors on both levels. The frame of the building is made with thick iron beams and a brick exterior.

In the beginning, the first floor was used by local commercial businesses and the second floor was for residential purposes. Externally, there are 15 large doors on the street level, and on the second level, an equal number of forged iron rail balconies. On the facade there are Corinthian arched pilasters. The doors and windows are decorated in Art Noveau style with polychrome plaster motifs alluding to railroads and shipping. Over time, it has seen many uses. In the 1950s, the government acquired it, converting it into a branch of the Judicial Court System, the Mayor´s office and the Police Agency. In the 1960s, it was used for the JAPDEVA offices, the Rural Guard and the New School. Since 1973, it has been the home of the Post Office and Telegraph Department. It was declared a historical and architectural heritage site on November 5, 1981.

Located on 2nd Avenue, 4th Street.

All newly founded cities need to resolve a number of immediate and urgent needs. Among them is the existence of a market for the residents. Therefore, Limon decided to establish its first market in 1893, on the same site where it currently exists today.

Afterwards, during the 1930s, the building underwent a series of remodelings and expansions. However, its current features date back to the first two years of the Calderon Guardia administration (1940-1944), a period during which it was practically rebuilt under the supervision of Rogelio Pardo Jochs and the architect Jose Maria Barrantes. Its Art Deco style is very similar to the Kingston Jamaica market, taking from it its closed style for health, aesthetic and safety reasons. Originally, it was a symmetrical building and was surrounded by wide open gardens. Today, its appearance is a bit chaotic as a result of the gardens having been overtaken by commercial establishments. It was declared a historical and architectural heritage site on September 22, 1998.

Located on 2nd and 3rd Avenue, 3rd and 4th Street.

In 1938, this building of re-enforced concrete was constructed to be initially used as the city´s meat market, but in 1939, it was converted into the Sanitary Department of Limon. The facade is in Art Deco style, which was very common during that time. In the 1960s, the center of the building was converted into El Oasis restaurant, which was very popular among seamen that arrived at the port. It also offered a large dance floor, a bar and a restaurant. The restaurant was opened by Ruben Acon Leon, the building´s renter, who also had his home on the second floor of the building. In the middle of the 1980s, The State took it over in order to convert it into the Uman Popular Theater and a Culture House. In order to do this, they proceeded to remodel the internal space by means of demolishing the second floor and installing stage machinery and seating. In one of the side sections, offices for the Culture House were installed and on the other side is the still existing Bonilla Bookstore.

Located on 3rd Avenue, 3rd Street.

In 1910, investors from Great Britain built a two-floor structure in order to establish a bank for English capital. The eclectic design with neoclassical elements was created by Cesar Rivaflecha and was made of concrete and brick. It has fluted columns and Corinthian capitals on the first floor and Doric columns on the second floor. Both have balconies and covered corridors. One interesting element of the building is the extensive decorative molding on the support beams. The vanes on the first floor have medium point arches, while those on the second floor have squared arches. Over time, the uses for the building have changed. During the World War II it belonged to the U.S. Embassy, which was used as a consulate. It was also a Charles Kit Patrick pharmacy. Afterwards, the building was used for residential housing and local businesses with Tobias Berenson as the owner. It then became the Hotel Cariari with Maria Maguini as the owner. Today it is owned by Omar Corella Izquierdo. It was declared a historical and architectural heritage site on February 23, 2001.

Located on 3rd Avenue, 2nd Street.

Even in 1883, during the high tides, the ocean flooded much of the area up to the area where the current city market stands. Because of this condition, the governor of Limon, Balvanero Vargas (1893 - 1905) vowed to reverse this situation. He ordered the lower coastline of the city to be filled with sand brought in carts from nearby beaches and build a breakwater. The job to build the breakwater led to a construction contract in 1891 with Minor Keith. In 1895, work was underway to build a one and a half foot thick concrete retaining wall. The design included an overhang on the inside of the wall to create a seat that would extend all along the breakwater and would also serve as a place to sit and see the ocean. The breakwater extends from the west where the railway platforms are to the customs station and the east zone of the city and to the extreme north, meaning that it extends from Vargas Park all the way to the Tony Facio Hospital.

The construction eliminated the mud and encouraged growth of the city by means of consolidating new spaces that were distributed among the population to build new housing. Today, the breakwater is a reference point of the urban story and the irreplaceable scenery of the city. In 1991, a strong earthquake hit the Caribbean region and it was determined that the ocean floor rose causing the ocean to recede some 150 feet. This event caused the breakwater to no longer serve its original purpose. It was declared a historical and architectural heritage site on June 26, 1995.

Located along the coast that borders the city.

This bahareque and wood house dates back to the 1830s with a tiled roof and a sun door. In the beginning of the 20th century, it belonged to a family under the name Gorgona and later was handed over to the City of Liberia. In the 1980s, it was registered in the Property Register under the Institute of Guanacaste, but an agreement was immediately signed with the Association for the Culture Ministry of Liberia in order to build a museum and Culture House. On September 8, 1990, the Guanacasten Cowboy museum was built in order to tell the story of this important field worker. Unfortunately, this museum is now closed. The property was declared an architectural and historical heritage site on April 3, 1989. 

Located on 6th Avenue, 1st Street.

Toward the end of the 19th century, an enormous home was constructed in bahareque. In 1880, it belonged to Emilio Hurtado and Cecilia Hurtado, who had migrated from Nicaragua. In its initial stages, in the city of Liberia, each quadrant was divided into eight large areas. This building has conserved its original dimensions. On April 11, 1945, the Institute of Guanacaste was founded, being the only high school in the province. In the 1950s, the institution rented a large part of the building to house the education center. The property belonged to Manuel Rodriguez Caracas, a lawyer born in Rivas, Nicaragua, who composed the famous piece ¨He Guardado.¨ From the 1960s to the 1980s, it was also rented to the Rural Teacher Training School of Guanacaste and the National Advisory Board of Production. Today, the most important renter is the Tito´s Minimart. 

Located on 2nd Avenue, 1st Street.

At the end of the 19th century, the city had an adobe structure that served as a school and was previously a hospital. In 1904, during the government of Ascension Esquivel Ibarra (1902-1906), land belonging to Paulino Dubon Ulloa was obtained to create an education center. The foreman was the Italian Francisco Rossino Bertoz, who constructed two floors with bahareque walls. According to the customs of the time, the school was initially separated in two parts: one for the boys, and one for the girls. In 1925, the director, Eduardo Arata, had a clock, which was imported from Germany, installed on the facade. During the Leon Cortes Castro administration (1936-1940), the school was remodeled and expanded based on the designs by the architect Jose Maria Barrantes Monge. It was declared an architectural and historical heritage site on June 4, 1990. 

Located on 0 and 2nd Avenue, 1st Street.

Around 1868, an adobe residential house was constructed with columns and pochote wood posts. It has an internal corridor with a central patio. The first owners were Aristides Baltodano Briceño and his wife Belen Guillen Acuña. The Liberia Hospital (Enrique Baltodano Briceño) and the city stadium (Edgardo Baltodano Briceño) were named after his two brothers in honor of his merits. Until the beginning of the 1930s, it was a residential house. In the 1940s, it was the headquarters of the Health Unit. In the 1950s, a thread factory was installed (the first in the city), as well as a butter factory. In 1990, the thread factory closed. It is currently the Rustico Toro Negro Restaurant. 

Located on 0 Avenue, 1st Street.

The house was built in Caribbean Victorian style, breaking with the typical construction in the city. It has a balcony and front corridor with ornately carved wood, highlighting the ironwood pieces. 

Located on 0 Avenue, 5th Street.

According to oral tradition, this home was constructed between 1840 and 1845. In the first half of the 20th century, it belonged to Adela Villalobos but in 1938 it was sold to Maria Castrillo. Afterwards, it was handed down to her son, Rafael Castrillo and then to her granddaughter Esperanza Castrillo Rovira. For a long time, the home served as a place for business. The building has a traditional design, erected in adobe with a tiled roof and with lots of sunlight. There is no ceiling and because it is located on the corner it has a beveled edge. The floor was made of wood, but during the Castrillo period it was changed to a baked brick-cement mix.

Located on 0 Avenue, 5th Street. 

In 1920, Juan Berger Villegas, a tailor by trade, and his wife, Victoria Castro Hernandez, acquired a large piece of land with fruit trees. In 1922, they hired Leandro Giron as the construction foreman in order to build a home with wooden posts, bahareque walls, a sun door and mud-tiled roof. The doors, windows, and floor were made of wood. One element that was re-introduced in the facade, typical of Guanacaste style, was the sun door. In 1960, the home was inherited by Lidieth Berger Garnier and her husband Johnny Alvarez. 

Under their ownership, the home underwent a series of restorations and remodeling in order to highlight its esthetic and functional value, primarily in its interior. Years later, the roof was removed because of the risk of it collapsing due to its weight and was replaced with sheets of galvanized iron. 

Located on 2nd Avenue, 5th Street.

At the end of the 19th century, this building was constructed in Victorian Antilles style, resting on pylons and made entirely of wood. The two-floor structure with balconies was designed to be used for offices of the Baptist church and lodging house. The construction came about from interest from the Jamaican Baptist congregation undertaking religious missions to the Black community that lived on the Caribbean side of Costa Rica. In 1888, the Baptist church was the first to arrive to Costa Rica. In 1894, the Methodists followed, and in 1895 the Anglicans arrived. On May 27, 1888, the Reverend Joshua Heath Sobey arrived, who was sent by the Jamaican Baptist Missionary Society, in order to observe the spiritual conditions of the immigrants.

Because of his visit, he resolved to establish a mission in Limon that would provide support to all of Central America. The financing for the construction came from Jamaica and Sobey was named as a missionary. From the moment of its inauguration, it was known as the Missionary House. Today, it continues being the branch for the church´s offices. It was declared a historical and architectural heritage site on April 4, 2002.

Located on 6th Avenue, 5th Street.

In 1892, the first Catholic church of Limon was established with the parish choosing the Sacred Heart of Jesus as its patron saint. During the vicariate period, the church was under the guidance of the Vincentian Order, who were from Germany. Between 1954 and 1956, the cathedral was constructed in brick and concrete. In the 1940s the Episcopal House was erected in neoclassical style. In 1994, the Diocese was established with the Presbyter Jose Francisco Ulloa as its first bishop. The cathedral was demolished in 2001. The new cathedral was design in modern style by the Mexican architect Raul Godar. There is a unique nave with a capacity for some 600 parishioners. The material used was concrete mixed on site with exposed finishes. It was consecrated in 2009. The building retained the stained glass windows, bells, and the Christ statue at the back of the cathedral. The new project aimed to preserve the bell tower from the old church.

Located on 3rd and 4th Avenue, 5th and 6th Street.

In 1870, Limon was declared a town to meet the need to create a port for international commerce. Two years after they started developing lots and property, in order to populate the area, they undertook the urgent task of establishing a learning center for the children of the area. So, on February 12, 1877, during the Tomas Guardia Gutierrez administration (1870-1882), orders were given for the construction of the first education center called Higher Learning School for Boys in Limon. Over time, the infrastructure of the building was modified until the Rafael Angel Calderon Guardia administration (1940-1949) managed to construct a new two floor building made of re-enforced concrete. Since then, it has been expanded with new halls made from brick and ornamental concrete blocks.

The oldest section, created in the Rationalist style, is a design by the architect Jose Maria Barrantes Monge. The education center, as an institution, is the oldest of its kind in the city. It was given the name of General Tomas Guardia Gutierrez as homage to the president who established the first school in Limon. It was declared a historical and architectural heritage site on May 17, 1989.

Located on 2nd and 3rd Avenue, 5th Street.

At the end of the 19th century, baseball took hold as a sport in Limon on an open field as a result of the influence of US workers who arrived in the area to build the railway to the Caribbean and thereafter to establish the banana industry. In 1887, a formal field was inaugurated and later became what is now the baseball stadium. Ten years later (1897), the United Fruit Co. legally donated the land to the city in order to encourage the sport in the city. In the 1940´s, the stadium was closed for remodeling and new brick fences were built as well as new stands. After that, the decision was made to christen it as the Big Boy Baseball Stadium in memory of, and homage to the famous ball player Bancroft Scott. The stadium has no architectural relevance, but it played a great role in the development of the sport in the city.

It was declared a historical and architectural heritage site on July 18, 2002.

Located on 1st and 2nd Avenue, 6th and 7th Street.

Initially, the site that the stadium occupies today was just an open space known as Plaza Iglesias and belonged to the local municipality, in the 1940s, soccer was played there, but there were no stands. In 1963, the Limon soccer team made it to the first division. Two years later (1965), the field was closed off with a brick wall and stands with wood seats were installed, making it a modest stadium. In 1993, due to the 15th National Sporting Games, premade stands were installed and offices were built for the County Sports committee. Juan Goban Quiros (1904-1930) was the first football player from Limon, who played in the first division in San Jose. It was used for the Limon Gymnastics and La Libertad Sport Club from 1921 to 1929.

Located on 2nd and 3rd Avenue, 8th and 9th Street.

In the beginning of the 1940s, Felix Arburola and his wife Pilar Carranza, built a house in bahareque style and was constructed by the skilled construction builder Ulpiano Sotela. This home, with its neoclassical element, is known by many as the ¨doll house¨ due to its Art Noveau style frame located in the upper part of the door and windows of the facade. The property was passed along to the Evangelista Estrada Rivas Argentina Barrantes Sibaja family. Since then, it has served as a restaurant, a dance studio, a gymnasium, and most recently, a protestant church. 

Located on 1st and 3rd Avenue, 7th Street.

The first military barracks of the city was located where today stands the Banco de Costa Rica (Costa Rica Bank), but the conditions weren´t adequate. The construction of the new military barracks began during the Ricardo Jimenez Oreamuno administration (1932-1936) and was completed during the Leon Cortes Castro (1936-1940) administration. The Art Deco design of the fortress made of re-enforced concrete was the work of the architect Jose Maria Barrantes Monge and supervised by the engineer Max Effinger. It was inaugurated on January 20th, 1940 and is a walled fortress whose main entrance faces south. It displays wide corridors in a U shape covered with concrete tiles that lead to the towers installed on each corner. It also had sleeping quarters for the troops, a place for weapon storage, bathrooms, a commander's room, offices, library, warehouse, incarceration area and central patio. It was declared an architectural and historical heritage site on December 17, 1998. 

Located on 1st and 3rd Avenue, 2nd and 4th Street.

In 1935, the Liberia Public Library was founded under the supervision of Secundino Fonseca Obando. Over the years, the institution has had two different locations. In the beginning, one of the main reasons for its collection growth was due to a donation from Francisco Mayorga from his personal collection. On September 15, 1984, the current facilities were inaugurated thanks to the economic support from private and public sources, land donated by the Lions Club and the Board of Education of the City of Liberia. The building was constructed from concrete blocks based on the designs from the architect Guillermo Navarro Mairena. 

Located on 3rd Avenue, 4th Street.

Francisco Mayorga (1862-1940) was born in San Marcos, Nicaragua. He was a teenager when he migrated to Liberia with his family. In San Jose, he graduated from law school. Politics was one of his greatest passions. In 1905, he created the Guanacaste Union political movement and later the Guanacaste Brotherhood. He held the position as Governor of Liberia from 1914 to 1917 and also from 1919 to 1920. He was elected as a congressman from 1920 to 1932. He promoted, wrote, and ruled on projects that benefitted the development of agriculture, livestock, industry, education and other public works. He helped establish the first electric plant in Liberia, set up the first candle, soap, and ice factory (in his home), as well as a coffee mill. He fought for women’s rights and founded the Liberia Public library by donating many books. 

He was also declared Merited Son of Liberia. He donated his property to the city´s education board. A bust dedicated to his memory was erected in the public library´s garden in Liberia which is named after him. The sculpture was created in concrete by the artist Johnny Garcia Clachar and measures some two feet in height. 

Located on 3rd Avenue, 4th Street.

Hector Zuñiga Rovira was born on June 7, 1913 in Liberia. In 1937, he graduated as an agricultural engineer. He was also a musician and composer of themes related to his birthplace in Guanacaste. Among some of his works are ¨Amor de temporada¨ and ¨El huellon de la carreta.¨ Therefore, on July 23, 1993, the City of Liberia bestowed on him the title of ¨Distinguished Son of Guanacaste.¨ The land was donated by Francisco Mayorga to the City of Liberia. In the center of the land, there is an enormous Guanacaste tree (enterolobium cyclocarpum), that is believed to be some 200 years old. The crown measures some 120 ft. wide with a trunk measuring 15 ft. in circumference. 

Located on 1st and 3rd Avenue, 6th and 8th Street.